Writing

JOURNAL & CONFERENCE ARTICLES

Links to most of these articles can be found here or here

Ward, A. Davis, T. Bevan,A. ,(2019)  Music Technology and Alternate Controllers for Clients with Complex Needs. Music Therapy Perspectives,July 2019 https://doi.org/10.1093/mtp/miz006

Davis, T., Pierson, D. and Bevan, A., (2019). INCREASING ACCESS TO MUSIC IN SEN SETTINGS. In: Sound and Music Computing Conference, 28-31 May 2019, Malaga.

Davis, T. (2019). Instrumental intentionality: an exploration of mediated intentionality in musical improvisation. International Journal of Performance Arts and Digital Media. 15:1

Davis, T. (2017). The Feral Cello: A Philosophically Informed Approach to an Actuated Instrument. In New Interfaces for Musical Expression. Copenhagen 2017.

Ward, A., Woodbury, L., & Davis, T. (2017). Design Considerations for Instruments for Users with Complex Needs in SEN Settings. In New Interfaces for Musical Expression, Copenhagen, 2017.

Davis, T., Geistweidt, J. E., Renaud, A. R., Dixon, J. (2012) Interfacing the Network: An Embedded Approach to Network Instrument Creation. In Proceedings of International Computer MusicConference2012,Ljubljana.9th-14th Sept2012.

Hammersley, J., O’Reilly, S., & Renaud, A. (2012). LIVENESS. K. Connor, & T. Davis (Eds.), EMERGE -Experimental Media Research Imprint.

Davis, T. (2012) Complexity as Practice: A reflection on the creative outcomes of a sustained engagement with complexity. Leonardo. Vol. 45, No. 2, pp 106-112, April 2012.

Davis, T. (2011) Towards a Relational Understanding of the Performance Ecosystem.Organised Sound 16/2, August 2011.

Davis, T. (2010) Listening to Installation, Performance Research. Volume 15, No. 3 ‘OnListening’ Sept 2010.

Davis, T. (2010) In the Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation. Thesis Abstract. Leonardo Electronic Almanac, 45. Available at: http://www .leoalmanac.org/index.php/lea/entry/the_ear_of_the_beholder

Davis, T. (2010) Complexity as Process: Complexity Inspired Approaches to Composition. To appear in Organised Sound Vol 15 No 2. Aug 2010

Davis, T & Ward, N. (2010) Ordnance Survey: Exploring Activity through Large Scale Topologies and Auditory Mappings. Parsons Journal for Information Mapping. Volume 2 Issue 1. Jan 2010.

Davis, T. (2008). Cross-Pollination: Towards an aesthetics of the real. In Proceedings of International Computer Music Conference 2008, Belfast.

Davis, T. Karamanlis, O. (2007). Gestural Control of Sonic Swarms: Composing with Grouped Sound Objects. In Proceedings of the 4th Sound and Music Computing Conference, Lefkada, Greece.

Davis, T. Rebelo, P. (2007). Environments for Sonic Ecologies, in Proceedings of EvoWorksops ’07, Springer-Verlag. London Ltd.

Davis,T. (2006) Designing Mimetic Cultures in Sound, SoundingOut3, A Symposium on Sound. University of Sunderland

Davis, T. Rebelo, P. (2005). Natural Selection: A Stethoscopic Amphibious Installation. InProceedings of Generative Arts Conference 2005. Milan, Italy.

Davis, T. Rebelo, P. (2005). Hearing Emergence: Towards Sound-Based Self-Organisation. In Proceedings of International Computer Music Conference 2005, Barcelona, Spain.